orilla oscura is presented with the utmost highest production standards – mastered and cut to vinyl by andreas lupo lubich at d&m in berlin, pressed on high-quality virgin vinyl at rti and housed in a heavy-duty old-style tip-on gatefold jacket printed on uncoated stock by stoughton. also included is a free download coupon.

nyc (via paris) based dj and producer sid vaga returns to nickodemus wonderwheel recordings with another 12 inch full of exotic deep house vibes sure to light up dance floors everywhere. it is an impressive follow-up to his genuinely well-received *brazuca* single from last year. on the a side, sid delivers *na na ye*, a driving cut with a pulsing bass line and hypnotic african chant that pushes the tune forward before getting flipped into a percussive section alongside deep and subtle synths. on the flip *manouche* can be found, a late night house tune with psychedelic balkan guitars and swirling gypsy vocal samples punctuating the track. rounding out the single, valencian producer oscar barila (plastic city) gives *manouche* a truly funky remix with a squelchy 80s new wave style bass line, thumping house beat, and irresistible synth work coming together for a real after-hours nightclub workout.

new music from the swedish junkyard guys. mr tophat and art alfie delivering two modern house jackers with a little touch of that nordic touch that aways seem to balance things and bring some open space in the music.

overs and skaters, come one, come all because frank & tony are back for their the third ep in the >frank & tony presents… < series on scissor and thread. this time the boys search for affection has lead them to their first collaboration with their label mate, the mysterious… in a sexy way… black light smoke! breath game delivers twelve plus minutes of tantric rhythm thats sure to spur your urge to merge. on the flip corbu returns for an indie-minded acid-tinged get down made for filthy frothy fun.

limited edition reissue of biffy clyros 3rd longplayer from 2004. remastered audio and 7 additional tracks on heavyweight vinyl, blue coloured and marbled. comes in gatefold jacket.

6 cuts of speedcore annihilation.

ezlv craft playfully luxurious extended-mix radio hits from the bi-curious, bygone dance-meets-soul era. its sound stream in song form, luscious and light, brought to juicy lime-life with cool-curated club samples, late 70s horn porn, and elegant dj creationism.

the 4th album by swedish duo the knife aka karin and olof dreijer as heavyweight double 12 inch vinyl.

it was his signature and his sound, and if there is one record that both derrick and myself couldn t be more honoured to re-release as a testament to his legacy, a record that defined kenny as a dj, and a record that keeps that light shining, then it s this one. viva the dark lord.

das vinylformat des gleichnamigen debütalbums des quartetts poor moon aus seattle, benannt nach einem canned heat-song. poor moon bestehen aus den beiden fleet foxes-mitgliedern christian wargo und casey wescott sowie den beiden brüdern ian und peter murray (the christmas cards).<br /inklusive >cd-kopie des albums.

burkhardts latest stroke, including the hit delight. now we are back again with a charming selection of remixes, including work by tobi neumann and julien veniel aka djulz. tobi neumanns remix reminds the attentive listener to the old days of oslo. it is so to speak on the point. its light, but still complex in a special way. tobi carefully unhinged the catchy vocals of delight, added it at some points and put his glance over it. the b-side is home to djulzs interpretation of pianissimo. a dark and powerful house track, that finds its glory in its simplicity. a subtle piano sample is the basis for a forward moving drum pattern. here and there an eerie vocal shot rises and guides the dancer through the musical mind of djulz.

vinyl only! two machines, two people, a lot of ideas. thats andiamo. born of passion, experience, and idealism, it was only a matter of time until this project saw the light. two characters, two ideas, one project. andiamo. the names of the songs need no explanation.

ftw recordingz proudly presents the first solo release of elia vens!
with making his solo debut on ftw recordingz, elia vens only reveals a small fragment of his musical diversity. on side a, he really pulls out all stops with the track >jamon<. the distinctive baseline and the pumping kicks on this track will definitely light the fire for an inferno on the dance floor. high spirits guaranteed!
in contrast, the flying flute edit doesnt come like a bull at a gate and initially appears slightly atmospheric and subtle. the deep toms and analogous drums still care for a drifty groove and colour the track in a fragile paint of house. emotions culminate in the hypnotic flute playing right in the middle of the track which hijacks you to a journey of elia vens. enjoy your flight!

two proper peak time house tracks here from the organ grinder blending uk garage vibes with traditional us house. my rendition is a refined and warm housey affair which kicks off on a light piano tip before the bass creeps in to disarm and charm dance floors. vocal snippets drop in over the breakdowns and the tracks irresistible melody to lead it to an intense atmospheric peak. jersey jam is a svelte jersey style future groover which sticks to the basic principles of crisp drums paired with a melodic hook set around a simple and quirky arrangement with an infectious vocal gluing the whole track together.

phat phunky deep house , incl andy ash rmx

custom 12 inch vinyl with hand-stamped labels, limited first pressing.
la producer gb and a race of angels, two mysterious figures in the west coast music scene, join forces as they bring to us their self-titled project, the steoples.
this 4-track ep is a beautiful hybrid of electronic and soul brilliantly put together in a most unique way. lush analog synths and syncopated rhythms animate this offering throughout, while the vocals embody an infectious feel that will have you singing all day.
each jacket has been individually and uniquely hand-sprayed by dame (msk). as every jacket is different, yours will not be exactly like the ones pictured. instead, yours will be totally one of a kind.

assemble music returns with a three-track ep from colognes david joseph aka st. joseph, exploring further the refined, tripping path forged on the labels previous release from daze maxim. the pianos, vocal snatches and ambient hiss of josephs releases on platzhirsch are present and correct, but here the jazz flourishes are reduced down into something far slicker. these tracks have been prepared using a keen blade, and none sharper than >personal dancefloor<. heavy drum programming and a rumbling bottom end bring to mind theo parrish in his moodier moments, but the deal is sweetened by light piano, garage-like vocal samples and a deep, burning 4 love bassline. >indigo< spins the duke ellington classic into a spiralling, shuffling chugger that will bring a 30s harlem spirit to enterprising dancefloors. move the needle to the b2, though, for the eps party hit. written in 2009 and reflecting that years raw arrangements and joyous samples, >wave/table/muscle< finally gets a vinyl release, proving this sound endures to this day. expect more of the same from assemble music with their next release featuring vera and ricardo villalobos.

hotmix presents joe drive. known for his releases on mathematics and lux records. he offers an excellent ep with shades dark and deep

exceptionnel danceable electronic tracks with undeniable hitpotential. heartbeast have been quietly digging their own tunnel under the borders of genres and categorization in order to dig through to the light and influence audiences with pop appeal and style as well as artistic presence, new pathways for soul music and astoundingly independent professionalism.

decoy 01 showcases southampton artist chris colburn, a regular feature on alan fitzpatricks 8 sided dice imprint. a selection of 3 techno gems made entirely for the dance floor. acid whip is the lead track, big drums and a nerve cutting acid line create this frenzy of a track. universal oddity brings in a tonal bell ploughing through light percussion and chris signature kick. no smoke is last but not least delivered with a touch of soul through the melodic stabs and swirling hazy noise effects, taking it even deeper. hans bouffmhyre adds his touch to the ep with his remix of acid whip, pulling away from the acid and focusing on the drums and effects, the sleaze and electric deluxe artist doesnt fail to deliver as the track flows, drops and lifts with this warehouse style monster.
decoy records is launching in 2012 at a time where electronic music has become very exciting. with a grass roots approach and a nod to talented uk artists, the story begins.

slowly building, soul-soothing, and disco-fuelled house with a nod to both the great masters from chicago and the new electronic breed. lisbon producer and lux resident ramboiage likes to take it slow to take things further. >del fuego< kicks off modestly with a simple beat and some light percussion, creating and eerie mood. but then some tasty, disco-fuelled heavy house kicks in, and the tune starts to roll unstoppable, riding on a horn hook. funky like a train, as the mighty equals would say. spanish om records darling al velilla steps up the pace a little bit and lets the original float over some tasty discohouse beats and eighties-flavoured synths.

the same people behind emotional rescue launch as fine sister imprint in the shape of emotional rescue, with a near perfect insight into how the label will operate thanks to nzambi - a quite stunning full length album from jason letkiewicz under his alan hurst moniker. if you consider yourself an avid purchaser of vinyl, you will no doubt have added some letkiewicz heat to your collection in recent times, with excellent releases as steve summers and innergaze in recent times. the alan hurst project sees the brooklyn producer in more laid back form, indulging his passion for library sounds and experimental electronics with just as much aplomb. allegedly commissioned to soundtrack a film on modern haitian voodoo, nzambi is a woozily intoxicating thirteen track set that opens your senses to a true darkness in this producers palette of sounds that has not really been explored before.

nice price deal !!! dennis busch is an artist who is well-known to all pingipung fans for his >james din a4< contributions to our catalogue. this man of many faces has also developed a reputation as visual artist. therefore he decides to present his music under the same name: dennis busch - which we think might be his real one. dennis busch has delivered an enormous output of odd, melodic techno tracks in the last decade – mostly on his own now unfortunately vanished esel imprint (this means donkey).
comes with code for free mp3 download of the full album.

bastard jazz is proud to present the debut ep from brussels based production duo eric p & luigi aka monkeyrobot. coming to light through their work as 74 miles away (melting pot music) and tall black guy, who selected their standout >basement infusion< track to be on his tempo dreams compilation album (released in june on bastard jazz), and alliance between the label and m.r. seemed natural.
here on their self titled 12 inch, monkeyrobot deliver four diverse tracks that showcase their skills behind the boards, the keys, with a keen ear for the dancefloor. kicking things off, >brick stomach< is a synth-heavy four-to-the-floor 120 bpm joint that comes off like a floating points visit back in time to 1980s detroit with its rolling snares, arpeggiating synth bassline and cloudy pads. next up, >northern light< filters shimmering space disco vibes through big, thumping instrumental hip-hop drums and moody analog bass. on the flip, >rose gris< takes things in a funkier direction at 100bpm with its syncopated drums, irresistible lead, squelching bassline and all manner of synthesizer explorations. rounding off the ep is >last days<, which still manages to inject a funky 80s analog sound into its melancholy downtempo vibes.

to celebrate the rerelease of the three classic to rococo rot records on city slang between 1997 and 2001, we have asked two friends and fans to rework their favourite tracks of these albums.
four tets kieran hebden chose the brooding minimal collage >he loves me< from the bands 1997 archetypal release >veiculo< and, like a prism in singular beam of light, his remix reveals the songs true glistening content.
mute label founder and longtime to rococo rot afficionado daniel miller teamed up with london based producer gareth jones to give >cars<, from the bands impeccable second album >the amateur view< a compassionate modification into a ... well, lets call it a krautrock disco truck.
the 12 inch will be limited and only available for a short time.

nice price deal !!! ultraista ist die neue band des radiohead-produzenten nigel godrich (u.a. auch r.e.m., pavement, u2, beck), seines kollegen joey waronker und der sängerin laura bettinson. das trio vereint auf seinem gleichnamigen debütalbum afrobeat und elektronik zu einer art elektronischer krautpop. ihre live-shows sind ein multimediales ereignis audiovisueller kunst.
pressung auf transparent blauem vinyl, inklusive code für freien mp3-download des kompletten albums.

after an outstanding pack of 12-inches for scubas hotflush recordings, london dj and producer sigha a.k.a james shaw confidently returns to the label with his heavily anticipated debut lp, >living with ghosts<. for this offering he presents twelve impressive techno and ambient productions and fuses his love of classic uk techno with the contemporary sound that currently pulses through berlins berghain. >brood<, an additional track not included on the aforementioned album, will be released as a very limited vinyl-only 10 inch, and will never see the digital light of day. the acid-licked scene couple<, a track from the lp, accompanies it.

the cheapers are berlin djs ruede hagelstein and franzen texas. both are resident djs at watergate club, and call upon you records their home label. our friends contribution to the bar25 discography has been cooking for a long time, and now, finally, is ready to meet the light of the musical world. the title track, too late, is a cooperation with berlin djane and singer meggy, who has already seen success this year with re.you & rampa. the original is a soulful deep house track thats been freshened up with a tech-housy remix by smash tv. vinyl only, the cheapers have also added a particularly special track which features some dark sampling that the two artists refer to as gothic house

it has been four long years since glissando released the critically acclaimed >with our arms wide open we march towards the burning sea< and the duo finally return this november with a new record >the world without us<. the new material bares glissandos trademark of ethereal voices and tip-toing piano melodies but the overall sound is richer and more expansive. epic swells of strings and guitars sore above the drones and field recordings to create an intense yet fragile noise. this lp is a highly limited deluxe package of just 300 copies, including code for free mp3 download of the full album.

strictly rhythms vol.9 , vinyl part 2 of 2... incl tracks and rmxs from black magic, masters at work (maw), jacques renault, subb-an...

miguel campbell is a burgeoning young star that shot to notoriety in 2011 after something special, his debut release on hot creations became one of the biggest tracks of the year.

we are back with another panoramic journey. max essa needs little introduction, in our circles he is the shining light when it comes to the newer balearic flavours we enjoy.

the second single to come from miaoux miaouxs acclaimed >light of the north< album, the limited >autopilot< e.p brings us the original track backed with a heavy-duty line-up remixing select tracks from the album. the original title-track is a glittering synth-fuelled hymn to heartbreak, which incorporates elements of bass and hip-hop, while recalling the stylistic flourishes of boards of canada. reworking >hey sound!<, glasgows very own auntie flo and esa bring their exotic stomp to the table: a percussive journey soaked in dubwise holy water. tom furses remix of >stop the clocks< is almost like a reigned-in, beat driven version of john elliots outer space project, thick cosmic ritual elixir bubbling over the sides. already having made his name on skreams disfigured dubz, echo park takes on >autopilot<, turning the original into a cast-iron lesson in militant rhythm. echo parks real talent however lies with integrating elements of the original seamlessly with his own punishing sound palette.

moody yet not morbid, futuristic but not foreign, modern but not without class.

debut album by chrome canyon, the solo project of new york artist morgan z. elemental themes one of the last albums mastered by nilesh patel, the mastering engineer behind classic tracks by the likes of air, bjork, daft punk and pulp.
comes as 12 inch vinyl in gatefold cover, including code for free mp3 download of the full album.

already support by michel cleis, m.a.n.d.y, tini, negru, jorge savoretti, grego g, gui mutuel, psykoloco, roman noriega... french kitchen is a label of electronic music and intelligent sounds recipes based in paris. it was born in 2012 by the chiefs hands of the music duo sucré salé and their cocobeach friends. how to cook. a fashionable sweet and salty techno recipe: take a good soft kick and simmer in a light reverb effect. add hight hat, crashes and percussions. sprinkle a good pinch of balkanique groove. melt a good motivating base and add it to the mixture. add the nappees, a few vocals freshly recorded and two returns. cover in breadcrumbs and let it cook as long as a rakia. french kitchen family offers us her first release with a various artists cooked by chiefs hands. in it you ll find a combination of groovy house, soft musical techno and intelligent music recipes signed by international chiefs like alejandro mosso, anthéa, michael melchner, vid and some others... enjoy

psst! shtum is the new sublabel of dresdens uncanny valley and it is created for proper techno and raw house tracks, music best listened to in a room full of strobe light and fog. right at the start youll get monomood with three dark and powerful tracks. parameter one is one of those techno stompers you cant help but fiercely nod your head to. the lyrics in the crafter might suggest it but actually nobody is afraid of the dark. not even after hell breaks loose with unrelenting chords. also, vault takes no prisoners while keeping the cellar door shut with its nasty acid lines and raw drum work. the musical concept has been interpreted visually by aram haydeyan and uncanny valley artist jacob stoy.

100% silk begs and pleads for all things octo – that eight-sided honest octagon: sweet, sad, shy, hopeful, blissful, light, lifting, longing. going deeper, swelling higher than his first >let me see you< 12 inch, >oh love< unifies touching human experience with technology, sound, and rhythm in a totality of vision.

>bored of shit< is the first release from new label k!ssa records. it follows dollskabeats debut >zodiac rising / no breaks no sleep< ep, which grabbed the attention of the music press, radio 1 and 6 music back in 2009. an electronic punk sneer and light-hearted grump at the state of modern popular culture, >bored of shit< is perhaps not what people might have expected as a follow up from dollskabeat but either way, it is a sure fire dance-floor filler. the ep also features an exquisite remix from vakula who described the track as impossible not to dance to and guest bass playing from firecrackers fudge fingas. keep your ears peeled for future dollskabeat release >so long for a small storm< - a mould-breaking piece of electronic music that will pick up where she left off. pressed on 180g vinyl and mastered by matt colton at air studios.

the black madonna hits home taping hard with her first release on the label >alright this morning<. coming from the middle of nowhere, but now based in the attic of a house in chicago that used to be the home of over 50 dance labels, she likes her music to do the talking and admires the anonymity and musical militancy of acts like underground resistance. having being brought up working in the music industry as an apprentice doing this, that and everything and helping to run labels, she actually refused to let anyone hear her work for years with masters gathering dust and never seeing the light of day. until now when, after the encouragement of a producer friend to get her stuff out there and a chance find by home taping of a few tracks online one day, she has now found a place where she feels at home. the first of a string of releases on home taping sees the jubilant and heavily chicago-influenced >alright this morning< released along with a remix by one of her favourite new producers, nicholas from italy. the rest is history and up to you ...

with recent releases for internasjonal and tim sweeneys beats in space records, los angeles based producer secret circuit (otherwise known as eddie ruscha) has had a breakthrough year with his brittle synth jams, taking inspiration from balearic disco and minimal wave alike. however, he has been a prolific producer since 1996, and this record on emotional response, entitled tropical psychedelics, collects productions from rusha up until 2010 that have previously only seen the light of day on cassette releases. described by the label as a >balearic-tropical-afro-psychedelic whirl<, the album packs a rich palette of analogue textures into its ten tracks, from the afro dub of >afrobotics<, through the hazy, beatless combination of piano and analogue synth on >psouvenirs< to the psychedelic tropicalia of >foggy twilights<.

4 tracks, taken from the cd album! in >shortcake strategy<, fairytale-like melodies are backed with thought provoking harmonies that pave the way for an explicitly visual experience. we have been introduced to a new face of the berlin-based producer. shortcake is a simple recipe. it doesnt take a lot of planning or much thought or attention when preparing it, and in the end, it will be light, fluffy, sweet, and perfectly satisfying. falko might say the same about his approach to the creation of >shortcake strategy<, yet the end product sees his most dynamic and emotional productions to date, leaving us with the feeling that this comes from a strategy that requires far more thought, and is far more complicated than that of a sugary dessert.

following up on the success of patrice scotts orbital bliss ep, sistrum moves further into the exploration of modern electronic music with the 2nd installment of the aphotic segments series. as always, quality is the key and deep vibes are the order of the day.

the follow up to mumford & sons 2009 debut album sigh no more, produced by markus dravs.

twelve years ago tresor records released terrence dixons debut album >from the far future< - a personal homage to the art and ancestry of techno, culminating in a discursive and dream-like course through the genres many tomes, complete with subtle nods to key protagonists such as kraftwerk, derrick may and juan atkins. a luminescent and ethereal catalogue of tracks awash with shimmery synths and taught rhythmical programming - that still holds true today, >from the far future< made for a stunning first full length that cemented dixons already proven credentials from his population one work and utensil records foundations. after a string of stylistically rich releases - including another album, >train of thought<, this time for cologne-based label yore records - the detroit native returns to tresor records with >from the far future pt.2< - an ambitious, scopey and deeply personal sequel.

daphni aka caribou mit seiner elektronischen seite... 9 meilensteine auf zwei vinyls im fetten klappcover (gatefoald cover)!

this latest release from hizatron and bashley galvanises the usual wigflexian- gloop with a more industrial edge and a superb implementation of found sounds. a darker pallet underpins the record but this is inverted then lifted with inserts of scattered euphoria. whilst all that is synonymous with the current face of techno lurks consistently in the background throughout, in an almost redemptive fashion, we are hoisted upward from a chromatic descent and set forth onto a crisp, bouncy path peppered with light. the depth of stereo field is utilised perfectly here and the use of dimension is something of a staple for all of those who call wigflex home. hizatron is known for his seamless arrangements, catchy melodies and punchy percussion and this record has that unquestionable tron swagger but the familiar sound is accelerated by new influences from bashley who although a relatively unknown member of the family brings a fresh range of timbres that compliment hizas signature grooves.